Coastal landscape painter Tim Fudge exhibits his work at Cardiff's Albany Gallery

Rachel Mainwaring, May 2018

When artist Tim Fudge creates his wonderful paintings of coastal scenes, he's usually created them within a studio rather than by the sea.

His latest exhibition at The Albany Gallery is called ‘Coast - At the Heart of Memory,' because it describes his way of thinking of the landscape but also his working practice as a coastal landscape painter.

He's chosen to paint the artwork in his studio - relying on memory, photographs and sketches that he makes on his coastal visits.

Tim, famed for his exuberant use of colour, says: "When in the landscape I prefer an approach of total absorption and freedom to roam; sketching, photographing and just thinking. Crucially, this separation from the subject matter back in the studio then allows memory to play a vital part in the process.

"I am fascinated by the way both our personal memories of iconic trips to the coast in childhood, and our wider cultural memory of coastal landscape, have such a powerful resonance for us in adulthood. For those of us lucky enough to live near, or visit, the coast on holiday as kids, those earliest memories of perfect light-filled days on the edge of our known world seem to remain burned upon our retinas. As an artist, an almost subconscious desire to recapture or recreate the purity of these early experiences provides endless inspiration."

Tim is originally from Edinburgh but has lived in Maenchlochog in north Pembrokeshire for the past 16 years, and it's that coast that is the centre of his inspiration as an artist.
The exhibition will contain 50-60 paintings largely of the Pembrokeshire coast with a handful from Scotland, Ireland and Cornwall.

"As visitors will see I don't limit myself to a single signature style of work. Some subjects are carefully observed and others are abstract, but the majority play with the tension between realism and abstraction within the same painting.  I have a strong connection with the Albany Gallery, still run by the amazing Mary Yapp, since I first exhibited there as a second-year degree student in 1998. It's an impressive space to display work."

Tim's work will be on show at the Albany Gallery from Friday, June 7 until Saturday, June 30, 2018


An interview with Kyffin Williams' godson, Nicholas Sinclair, in honour of the centennial


Jessica Bancroft, 15 March 2018

View here:  Intimate portraiture & the centennial of Kyffin Williams RA

Kyffin Williams RA, ROUGH SEA TREARDDUR BAY, 28x36 inches

New exhibition from hotly tipped young painter Peter Kettle RCA FRSA records Patagonia trek and adventures in Wales

Jenny White, March 2018

A remarkable body of work by Peter Kettle RCA FRSA, painted in Wales and Patagonia, goes on show at The Albany Gallery.
One of the UK's most hotly tipped young artists, 30-year-old Kettle has been featured in MoneyWeek magazine as one of the "young Turks of the art world" and has already achieved membership of the Royal Cambrian Academy and become a fellow of the Royal Society of Arts.

Born in Wales, Kettle has an enduring fascination with the Welsh landscape, particularly the lights and textures of its coastline - but for his new show he also explored another landscape with intimate links to Wales: the mountains and desert of Patagonia.

The motive for the trip was twofold: first, he wanted to follow in the footsteps of the Welsh settlers who sailed to Patagonia over a century ago and whose descendants still maintain a strong Welsh identity.

He also wanted to pay homage to the famous Welsh painter Sir Kyffin Williams, who made his own trip to Patagonia in the last century.  "A few years ago, I saw a lot of the landscape paintings Kyffin made there and I was struck by how different his palette was when painting Patagonia. I wanted to understand why he chose those colours, and to experience the places he visited," says Kettle.

Just as Williams did, Kettle has a passion for plein air painting, and for his Patagonia trip he took not only sketch books but also a six-metre canvas which he unrolled on arduous mountain hikes to record his experience of the landscape, using dirt from the ground as one of his painting materials.  "Getting out there and seeing the sunrise and sunsets was extraordinary - the light is completely different," he says.

Back home in the studio, the work from the canvas led to four new paintings, while his copious sketchbook notes led to many more.

A mixed media artist, Kettle has broadened his choice of materials for this show, incorporating French chalk and shellac along with his more familiar ink and oil paint. The pictures reveal that as well as discovering the sites Kyffin painted, Kettle also found his own Patagonia - a land of earthy tones and unearthly light.

Back in the UK, he also completed a new body of Welsh work. Now based in Bristol, Kettle makes frequent painting forays into Wales and is well known for his depictions of the industrial architecture of the Port Talbot Steelworks as well as for wilder coastal scenes. For this show, he ventured further west along the coastal path into Pembrokeshire.


"I'm fascinated by the story of Wales, and how settlements were created within that landscape," he says. "The Welsh landscape can be wild, windy and wet yet it can also be serene and beautiful, and within a short distance of a couple of miles you can experience both. This is something that has drawn me back time and time again."

Kettle's style has been shaped by that love of landscape, and the influence of such greats as Anselm Kiefer, Joan Eardley and John Piper is also evident. Perhaps most striking of all, however, is that this is an artist who relishes being outdoors amid the elements, experiencing his subject at first hand - even if that does require a long trek up a mountain - and after hisPatagonia experience, he promises to take his canvases to further far flung places soon.

"I loved taking the canvas up those hills - it is something I have always enjoyed doing in Wales and to be able to do that continuously for 4 weeks in a new landscape is an experience I want to repeat," he says.

Wales' diverse and beautiful scenery captured in new Albany Gallery show

Jenny White, February 2018

From light gleaming through a chapel window to the sun blazing on a south Wales beach, the four artists in this exhibition capture some of Wales's most enchanting moments and magical scenery, creating a diverse and inspiring snapshot of Wales in all its moods and seasons.

Cardiff-based painter Mike Carter, who was one of three artists featured in the BBC2 programme about the RA Summer Exhibition last year, captures the moodier side of the Welsh landscape. He is fascinated with the point where the land meets the sea. Inspired by energetic and expressive painters such as Kurt Jackson, he combines different materials through a layering process such as charcoal, chalk, sawdust, PVA, black ink, acrylic and oil paint to create a range of effects and marks.

In contrast, valleys-based painter Karl Davies turns his attention inland, capturing a world of lonely farmhouses, mining villages and moonlit walks. He uses a mixture of deliberate and intuitive brush marks in each composition and prepares numerous sketches before beginning a painting. Recently he has begun to explore more complicated compositions including architecture and figures and he aims to capture atmospheres and the seasons.

Dai David, who lives near Craig Y Nos in the Swansea Valley, loves the Welsh shoreline in summer. His sun-drenched paintings capture families at play, beachcombers and boats - although he is also known for his depictions of the green, rugged grandeur of the Brecon Beacons. He aims to express the ephemeral beauty and wonderful nature of light, whether it be an intimate, solitary portrait, a joyous group study, or sun-kissed landscape, it is the actual light falling upon the subject that inspires him to paint.

Cwmbran-based painter Paul Weston has a similar scope, creating evocative, sunny seascapes and sweeping views of the Brecon Beacons and Black Mountains. He also paints Wales' post-industrial scenery around Blaenafon and the eastern valleys of Gwent, and ventures into Cardiff to paint city scenes. His watercolours concentrate on fine detailed brushwork, capturing accurate scenes of the hills, valleys, countryside and coastline. His oil paintings are much looser, painted quickly with a greater freedom, whilst retaining elements of detail and they are painted on the spot whenever possible.

Original artists' posters by some of the 20th century's greats

Jenny White, January 2018

Artist-designed posters from exhibitions held by such greats as David Hockney, Andy Warhol, Marc Chagall, Pablo Picasso, Henri Matisse and Joan Miro are on show this month.

Many of the leading 20th century artists enjoyed designing their own exhibition posters, often in the form of original lithographs printed by some of the great Parisian print ateliers such as the Mourlot Frères studio.

"The show is a rare and affordable opportunity to buy work by big names," says Albany Gallery owner Mary Yapp. "Most of the posters were produced in the 60s and 70s, and they still feel as alive and vibrant today as when they were first issued".

The posters were usually designed by the artists in collaboration with a designer, and the combination of original art and graphic elements also lends the poster a cooler, less ‘stuffy' feel, allowing them to hang as easily in an informal creative office as they would on an upstairs landing.

As the posters were designed with a specific function in mind, they are usually large in size, and make a big impact.

Unsurprisingly, artists' posters have always been popular and in recent years have become highly sought after. Their appealing design, relative scarcity, and their built-in history and contextual background with the exhibition they were attached to have meant these prints continue to entice long-time buyers around the world.

"Because of their distinctive feel and tone, with original artwork and graphic design working in tandem, posters look especially good when put alongside one another and make for wonderful collectible sets on their own, as well as special works within artist-specific collections," says Mary.

"Although they are relatively rare, the posters are surprisingly affordable. Most artists' posters in this exhibition can be bought for anywhere between £500 and £2,000 depending on their rarity, condition and collectability. However, we do have one special poster signed by Picasso himself which will be for sale at over £10,000," she adds.


Original paintings and sculptures by artists like Picasso, Matisse, Miró and Braque can fetch many millions of pounds in auction houses.   "While those prices remain out of reach for most of us, artists' posters offer the chance of owning an original work of art by hugely important artists for mere fractions of those prices," says Mary.

This exhibition is being held in collaboration with Goldmark Gallery, in particular Mike Goldmark, whose association with The Albany Gallery goes back many years. Goldmark Gallery is a family run business that has been selling art in Uppingham, Rutland for over 40 years.




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